About my style
In my most recent works I employ architectures akin to minimalism — iteration, slow and gradual transformations, essential parameters — but what interests me most is the state of attention that insistent repetition can generate: a suspended condition in which time seems to expand and shape itself around the listener’s perception.
Upon an apparently rigorous surface, ripples of unpredictability and deterministic chaos emerge, disrupting the equilibrium and redefining it from within, suggesting the idea of a entity that is stable only in appearance, yet in reality traversed by continuous mutations. The order of events may coincide with their chronological succession, or diverge from it, producing a perceptual mismatch that transform the experience of time.
Silence is never an interruption, but a point of maximum density charged with expectation. The obsessive repetition of certain elements generates an increasingly intense concentration, fostering a state of listening close to trance. What emerges is an experience that is at once calming and vibrant, a contemplative yet active dimension, which the listener is invited to inhabit.